
Create a bold, cinematic grade with our Christopher Nolan LUTs. One click is all it takes to give your footage that rich, film-inspired look.
Compatibility
- Adobe Premiere Pro / After Effects
- DaVinci Resolve
- Final Cut Pro
- CapCut
- Filmora
- Vegas Pro
- LumaFusion
- Avid Media Composer
- CyberLink PowerDirector
- Movavi Video Editor
- HitFilm Express
- Magix Movie
- Pinnacle Studio
- Corel VideoStudio
Works with all versions of your editing software on both Windows and macOS. Our bundle is supported on PCs, laptops, tablets, and mobile apps.
Our video and sound assets are custom made for various editing software and apps by our team. This ensures that the assets will work perfectly on your preferred software or app with the matching files.
The total download size is 300 MB
How you will receive your order
After your purchase, you’ll get immediate 24/7 access to our download center.
Download your packs whenever you want — one by one or all at once. You’ll also receive an email with your access link, so you can always come back and download your packs again.
Choose the software or apps you want to download for. Multiple selections are possible.
The total download size is 300 MB
How many unique LUTS are included?
300+ .cubes files are included. Each film category has 40 different color grading LUTS based on different scenes from the film
Can I use this for every project?
Yes, of course you can. Would it not be weird if you would not be allowed to? Creating awesome videos with our assets is what we are here for. There is also a commercial license included with your purchase.
Which films did you make this LUTS from?
Tenet, Batman, Oppenheimer, Inception, Interstellar and Dunkirk. Scroll down for some previews.
Tenet
The color grading in Tenet is a visual masterpiece, characterized by its innovative use of inverted colors to distinguish between two different timelines, creating a visually and conceptually unique cinematic experience.

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Batman
In The Batman, the color grading stands out through its meticulous attention to detail and tonal control. The film employs a predominantly desaturated and moody color palette, with a focus on deep blacks and subdued (red) highlights, creating a dark and gritty atmosphere that complements the film's noir-inspired aesthetics. The use of high dynamic range (HDR) technology further enhances the depth and contrast, ensuring that every shadow and highlight is intricately rendered.

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Oppenheimer
In Oppenheimer, the color grading takes a historical and period-specific approach, capturing the essence of the mid-20th century. The film's color grading is characterized by a muted, vintage look that replicates the color technology of the era. It embraces a subtle, desaturated palette with an emphasis on earthy tones and pastel shades, transporting viewers back in time and immersing them in the ambiance of the World War II and post-war eras.

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Inception
In Inception, the color grading plays a pivotal role in distinguishing between various dream levels and realities within the intricate narrative. The film's color grading is marked by a strategic use of warm and cool color schemes to signify different layers of the dream world. Vibrant and saturated tones are often employed to represent the vibrant and hyper-realistic dreams, while cooler and desaturated colors are used to depict the deeper, more unstable dream states.

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Interstellar
In Interstellar, the color grading serves as a powerful storytelling tool, conveying the emotional and thematic elements of the narrative. The film's color palette evolves as the characters journey through space and time. Earth is depicted with a muted and desaturated look, reflecting its desolation and impending doom. In contrast, the otherworldly environments and planets are characterized by rich and vibrant colors, signifying hope and wonder.

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Dunkirk
In Dunkirk, the color grading is a testament to director Christopher Nolan's commitment to realism and historical accuracy. The film's color palette leans towards a naturalistic and documentary-style approach, with a focus on earthy, desaturated tones that reflect the grit and authenticity of the World War II setting. This deliberate choice in color grading not only immerses viewers in the harrowing and chaotic evacuation of Dunkirk but also emphasizes the raw and unfiltered nature of the events depicted.

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